new paintings 2012

Polar Bears in Orangeville

No danger though, the seven polar bears in question are the 8" x 8" polar bear portrait oil paintings I completed earlier this year. This is their first excursion out of my Williams Mill studio, and you can see them at the Dragonfly Arts on Broadway Gallery in Orangeville, Ontario. Joan Hope, the very personable gallery owner, and a great lover of original art, and supporter of Canadian art & Canadian artists, saw them online and asked that I bring them in. Done!

These Ursus maritimus portrait oil paintings, inspired by Inukshuk, the Toronto Zoo's male polar bear, are studies for future larger artworks. Thus I have priced them similarly to my little portrait painting series (here) . They are 8" x 8" gallery mount canvases,  framed in black floater frames, and are easily shipped.

If you would like to see these polar bear portraits in person or would like more information. Here is Dragonfly Arts contact information: 189 Broadway, Orangeville, ON L9W 1K2 (519) 941-5249 ‎ · dragonflyarts.ca

Here's the google map http://goo.gl/maps/fwP4

Well, I realize not quite like the remarkable story of the British Columbia man who can swim with the polar bears, http://www.youtube.com/watch?v=g7rZTZBOrqQ&noredirect=1 but I hope you enjoy perusing these works online, or at Dragonfly Arts.

P.S. Orangeville has a delightful main street, Broadway, with Dragonfly Arts, home design shops, Orangeville Theatre, an art supply store and a myriad of restaurants for every taste.  Plenty of free parking, too. I can't tell you how great it is to find parking almost in front of the gallery so I can unload my work with ease!

Polar Bear Portrait 1. "Inukshuk" 8" x 8" oil painting copyright Christine Montague

Polar Bear 6 oil painting portrait. Copyright Christine Montague

Polar bear Portrait painting 7 copyright Christine Montague

And for a great story about encounters with a polar besr listen to cbc radios The Wild Side with Grant Lawrence. It's great. http://www.cbc.ca/thewildside/

For some great reading about polar bears in Canadian north, and the effect of changes in snow on reproduction, read this related article

The Dog's Gone

We've had such a great winter here in the Toronto area. The artists at the Williams Mill have been more than grateful not to face the ice and snow on the steep hills that lead into Glen Williams and the Mill studios.

But still, I felt a great sense of relief that spring officially arrived this past week.   And this expressed itself in the painting seen centre of the photo above.  Meant to be the finished painting "Dog in Fog" inspired by the study at the left  (also done last week ), I 'm thinking it could easily represent the departure of the "dog days" of winter and that the title needs a rethink.

About the chair. My daughter adored this chair  owned by Naomi Assenheim, (Opal Wing Creations) the talented young jeweller here at the Mill.  Naomi was my studio mate in the Stone Building, until her move to a new studio in the Williams Mill Yellow Mill (The  Mill has four buildings housing artist studios).  So I purchased this magical chair as a surprise gift for my daughter, but somehow it's never made it out of my studio.  Any visitors to my studio who are old enough to remember their parents having such a chair, or have owned one themselves,  are not too impressed by this new edition. But for those into retro furniture from the sixties and seventies, it's a definite hit.

And for me, its soft green and gold material inspires thoughts of spring and magic in the air.

What do you think?

PS. Normally, I load my high walls with my paintings. I enjoy this airier look, although it won't last for long as new paintings come to life.

Dogs, Fog, and Collateral

About four years ago, as I turned onto Mayfield Road in Halton Hills, the rumps  of two large dogs, trotting amicably along, appeared immediately before me in the thick fog. Luckily, for the dogs and me, I was driving slowly having just stopped at a light, and that my car's fog lights were doing their job.

Upon hearing the car,  the dogs, both German Shepard, one black, and the other brown and black, traversed  to the opposite shoulder. They never changed pace, or even looked back.  It was only as I snapped a photo, that the brown and black German Shepard,  in the lead,  gave me a glance.

Have you seen the movie Collateral ?  There is a scene where coyotes cross in front of the taxi that holds Tom Cruise and Jamie Foxx. It was my favorite scene in that film, and that is how I felt when these two dogs crossed my path in the thick of the fog.

Fast forward to a couple of days ago. It was overcast and had recently rained. Driving along 22nd side road, on my way out of the glen, I glimpsed two dark shapes emerge from the trees on the hillside to the marshy field below. My first hope, however unlikely, was that these were wolves. I excitedly turned the car around, and over to the side of the road.

Lo and behold, there they were, the same two dogs I had enjoyed photographing in the fog years before.  I fumbled to get my camera out of its bag, and still keep both eyes on the dogs.  They were on the go, when suddenly, these two "littlest hobos"  plunked themselves  down in a large, dark,  mucky puddle. These two must have need a cooling off, further proof, of just how eerily warm March is here in Southern Ontario.

Before I could snap a shot, up and away they went, into the woods, and out of sight.

Back in the studio,  I took another look at the old photo of them.   I knew the brown and black German Shepard had a collar, but that pixellated item around the black dog is a broken rope? Could they be feral? Lots of good rabbit eatin' here in the glen.

No matter, whether farm dog or feral, they seemed healthy, happy, and a team.

Dogs are usually not my thing, but I love the image of the black dog, his pale breath clear in the fog, and the contented freedom the pair represent.

I immediately started the drawing of the black Shepard in fog on a large canvas. But the Mill  "open studio" days, Friday and Saturday afternoons, are  in reality "clean hands days".   So contentedly I painted  the tidy  18" x 24" oil painting study above.

And the dogs? If they do have a home, and I hope they do, I am uncertain how content the owner will be with their muddy exploits.